Water & Light, Sun & Shade
The Pacific Northwest refuses to recede. Nature here is not backdrop — it is pressure: constant, saturating, indifferent to whatever has been built across it. Rain finds the steel. Moss finds the concrete. Light moves through it all, transforming surfaces that were never designed to be beautiful into something that is.
This series lives in that transformation. The intersection of the synthetic and the biological, light and shadow, the neglected and the carefully tended. Color as atmosphere. Surface as memory. Each painting an invitation to look long enough that the boundary between reflection and the thing reflected begins to dissolve.
Aplenglow, 12" x 10"
Snowfall, 44" x 33"
East Madison, 30" x 24"
The day before yesterday, 18" x 36"
Sunset in the Park, 30" x 40"
Elliot Bay, The Great Wheel, 30" x 40" (sold)
Poolside, 32" x 36"
Elliot Bay, Early North, 46" x 40"
Spring, 30" x 30"
Toward Bainbridge, 30" x 40"
Of the morning, 18"x36"
Boundaries, 36" x 12"
Crescent Lake, 30"x30"
Elliot Bay, Early North study, 24" x 18"
Winter Bloom, 24" x 36"
Elliot Bay, Summer Fog, 42" x 54"
Moorings, 24" x 24"
Autumn Light, 48" x 15"
End of Summer, 30" x 40"
End of Summer, 30" x 40"
Gasworks, 42" x 54"
Gasworks Park, 36" x 24"
The Great Wheel, 30" x 24"
Arboretum, 28" x 22"
Evening on Elliot Bay, 36" x 48"
Untitled, 10" x 10"
Black Rock City, 36" x 36"
Lake's edge, 48" x 48"
Oakland, 48" x 48"
Patagonia, 24" x 24"
Santa Cruz, 36" x 36"
Scott's Valley, 36" x 36"
